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Lee opens up in style
Saturday, 11 October 2008

sports_29.jpgContrast of the day
Matthew Hayden and Virender Sehwag are both openers who love to smash the ball. Their approaches to the crease, however, are remarkably different. Hayden charged out to bat, leaving Simon Katich a few paces behind, and did squats and stretches on his way to the pitch. Sehwag, on the other hand, prefers to amble and doesn't bother with stretching. His only activity before getting to the middle is loosening his arms by swinging him vigorously - like the hands of a clock in fast-forward mode - while holding his bat.

Improved start of the day
Brett Lee's opening over last evening was horrid. His first four balls to Gautam Gambhir swung down leg side. One of them was so wide that it evaded Brad Haddin's full length dive and went for four byes. Lee's start this morning, however, was near perfect. His first ball nearly landed in Gambhir's blockhole and his second swung in from outside off to hit the left-hander plumb in front. It was a foreboding of what was to come for the Indians.

Unfulfilled promise of the day
Will today be the day that he goes past Brian Lara? It's what everyone is asking when Sachin Tendulkar comes out to bat these days. Tendulkar needed 77 to break the record for most Test runs and he began promisingly by cutting Lee to the backward point boundary. However, he was done in by a slower ball from Mitchell Johnson, spooning a drive to short cover, after a similar stroke had fallen just short of fielder a few balls earlier.

Helpless moment of the day
Tendulkar's innings could have been cut short much earlier. He was at the non-strikers' end when Rahul Dravid pushed a ball towards cover. Tendulkar set off for the single but the sight of Michael Clarke, who was at point, covering ground quickly and swooping on the ball made Dravid decide against the run. Tendulkar was half-way down the pitch when Clarke picked up the ball and he had given up trying to get back to the bowler's end by the time Clarke transferred it to his left hand - his throwing hand. The throw, however, missed the stumps and Tendulkar looked up to the skies.

Unexpected entry of the day
Tendulkar's wicket brought with it the customary stunned silence from the crowd but, a moments later, they began chanting "Dada, dada" in anticipation of Sourav Ganguly's penultimate innings at the Chinnaswamy Stadium. The cries suddenly died down, however, as the batsman walking out at No. 5 was VVS Laxman.

Surprise of the day
The dominating characteristic of the pitch so far has been its awfully low bounce. Both Mahendra Singh Dhoni and Haddin have had to collect several balls and edges on the second bounce, sometimes even the third. So when Shane Watson pitched one short from around the stumps and got the ball to rise sharply it startled the crowd, and Ganguly. He took his eyes off the ball, and one hand off the bat and fended it awkwardly towards the off side.

Fumble of the day
Much has been said and written about India's fielding that it's only fair to point out a couple of Australian bloopers. Last evening Ricky Ponting attempted to pick up the ball with one hand but fumbled to allow the single. Today, Dhoni cut Cameron White towards cover where the fielder went down on one knee but failed to collect the ball, allowing another single. The culprit, once again, was Ponting.

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Harbhajan sparks India fightback
Saturday, 11 October 2008

sports_25.jpgHarbhajan Singh has a habit of irritating Australia, sometimes with the ball and sometimes with his confident talk. But after Mitchell Johnson's four strikes on the third day seemingly assured the visitors of a big first-innings lead, it was with the bat that Harbhajan provided Australia with a serious headache. They still had a 117-run advantage at stumps but Harbhajan's fighting 54 lit a spark that for two and a half days had been noticeably absent in the India camp.

His 80-run stand with Zaheer Khan was the biggest and fastest partnership of India's innings. They attacked at every opportunity. When Harbhajan audaciously slapped Stuart Clark to long-on for a boundary to bring up his half-century - his third against Australia in his past three Tests against them - he thrust his bat skywards several times, willing his team-mates and the crowd to show some spirit. He had certainly done that himself.

He threw the bat when Brett Lee bounced him, pulling and top-edging boundaries; he advanced to Clark; he warded off the spin of Michael Clarke with ease. His luck did not hold and he top-edged Shane Watson behind late in the day but with the equally bold Zaheer, he had at least shown Australia the match was not theirs just yet.

Australia had the game under control for most of the day as India's specialist batsmen found the going tough against Johnson and Lee. The pitch wasn't just two-paced, it was two-faced. For Harbhajan and Zaheer it was benign; for Rahul Dravid and Sourav Ganguly it was severely challenging.

The variable bounce was exploited by Johnson, who entered the series as Australia's least in-form fast man and he was under pressure from his fellow left-armer Doug Bollinger. After Johnson's first full day of bowling, Bollinger can make alternative plans for next week's second Test.

Johnson was the man who kept Australia on track for the first two sessions after India began the day at 68 for 0. His exhausting nine-over spell in the morning brought three huge wickets - Virender Sehwag, Sachin Tendulkar and VVS Laxman - and he returned after tea to add a composed-looking Ganguly. It was an outstanding return to Test cricket for Johnson, who had a poor series this year in the West Indies.

It's worth noting that he has prior form in India, where he was destructive in last year's ODI series and collected 14 wickets at 18.57. But repeating the success at Test level is a major step forward. He was helped by the cracking pitch and he aimed at the fissures, sometimes getting balls to stay low or seam away.

Johnson was swamped by his team-mates when he deceived Tendulkar, who had played a couple of gorgeous drives through the off side. But when he tried to do the same again, Tendulkar failed to pick up Johnson's slower ball and lobbed a catch to cover point on 13. It was a remarkably similar dismissal to two of Ishant Sharma's successes on the second day, when Cameron White was one of the victims. White was pleased to take the catch that confirmed one of the world's greatest could make the same mistake.

The removal of Laxman for a 12-ball duck was more straightforward as the batsman got a thin edge to a delivery that angled across and seamed a fraction away. Johnson had a bit of good fortune too; Sehwag's wild flail at a wide, fullish ball that flew off his edge to first slip was more batsman error than good bowling.

Especially pleasing for Johnson was that he found some reverse swing after tea and trapped Ganguly lbw for 47. It was a rotten bit of luck for Ganguly, who was probably struck outside the line - although at first view it looked a reasonable shout - from the first ball after he had a concentration-breaking interruption due to a nosebleed.

But there were some positive signs from Ganguly, who had questions over his place in the side and was playing his first innings since announcing that this Test series would be his last. Apart from one loose waft outside off stump - and he chastised himself furiously for it - he displayed impressive focus.

He occupied the crease for 115 balls and struck only three fours, instead taking his time on a tricky surface. India looked at their most resilient when he and Dravid combined for a 49-run stand but the frustration was that neither man capitalised in the same way Michael Hussey and Ricky Ponting had for Australia.

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Denton named for Tasmania return
Wednesday, 08 October 2008

sports_27.jpg Gerard Denton is likely to make his return to Sheffield Shield cricket with Tasmania after being named in the Tigers' squad for their opening two matches. Tasmania begin their four-day campaign against Queensland at the Gabba on Friday followed by a match against Western Australia at the WACA beginning on October 19.

They have named a 13-man group for both games and it includes the fast bowler Denton, 33. He began his career with Tasmania but spent the past four summers with Victoria before heading back to his home state during the off-season.

Denton has added experience to an already strong fast-bowling line-up and there was no room for Brendan Drew for the opening games. The Tigers are already without Adam Griffith, who had a knee reconstruction during the off-season and will miss the whole summer.

The left-arm spinner Xavier Doherty is in line for his first match in the longer format since 2006-07, with the Tigers' first-choice spinner Jason Krejza on tour with Australia. Tasmania will also need to find a new opening pair following the retirement of one of their most reliable contributors, Michael Di Venuto.

Michael Dighton, who opened with Di Venuto in the early stages of last season before being axed, is one likely candidate to go out first. He could be joined by Travis Birt, the wicketkeeper Tim Paine or Rhett Lockyear, who is a chance for his first matches at first-class level since 2004-05.

Squad Michael Dighton, Rhett Lockyear, Travis Birt, George Bailey, Daniel Marsh (capt), Tim Paine (wk), Luke Butterworth, Mark Divin, Xavier Doherty, Gerard Denton, Brett Geeves, Ben Hilfenhaus, Tim Macdonald.
 
Struggling Cosgrove still in the mix
Wednesday, 08 October 2008

http://content-ind.cricinfo.com/inline/content/image/316146.jpg?alt=2 South Australia have given up on placing weight and fitness restrictions on Mark Cosgrove but the batsman is still in danger of missing out on the state's opening games due to form concerns. Cosgrove, the most recent South Australia batsman to play for Australia, was dropped from the first-class team towards the end of last season.

Despite working solidly on his game and his fitness during the off-season, he was not chosen in a 16-man squad that played a series of practice matches in Queensland during the past week. Jamie Cox, South Australia's high performance manager, said Cosgrove needed to find form but remained in the mix for the Redbacks' first Sheffield Shield and FR Cup games of the summer.

"We want Mark back playing and playing well, we know that he's a very fine player," Cox told AAP. "But Mark's currency is runs and last year he did not score a hundred in any form of the game and for a bloke of Mark's talent that was seen as not quite good enough.

"We know Mark is an exceptional talent and he will be judged exactly the same way as every other player is judged when it comes to picking teams. From his perspective he missed the opportunity to get some practice up north. His preparation may be affected but I know the selectors have him firmly in mind for any teams that may be picked within the next few days."

Cosgrove played three one-day internationals in 2006 - he was only 21 when he made his debut - and was viewed as a potential future regular in the Australia setup. However, keeping trim has been an ongoing battle for him, as has maintaining the high batting standards he set early in his career.

South Australia begin the season with a one-day game against Victoria in Adelaide on Sunday followed by a Sheffield Shield match also against the Bushrangers. Younis Khan, their star recruit, will be unavailable due to his commitments with Pakistan, but the Redbacks will be boosted by the return of Shaun Tait after his self-enforced break from the game.

"To get him back at his best would solve an enormous amount of anyone's woes," Cox said. "He's not only a premier fast bowler in this team, he's one of the heartbeats, one of the real soul brothers of the team that the guys love to play around."

 
Ill at ease against spin, Australia trail BP XI by 264 runs
Friday, 03 October 2008
HYDERABAD: Piyush Chawla laid bare Australia's utter discomfiture against quality spin and the gingerly visitors fumbled and faltered their way to 191 for four wickets onday two of their warm-up match against Board President's XI on Friday.

The Aussie top-order developed cold feet against Chawla and their free-scoring flair was completely non-existent as they finished the day still 264 behind the 455 runs which Board President's XI had scored in their first essay.

Incidentally, Ricky Ponting's men got at least three LBW reprieves, but for which things could have been even worse.

Michael Hussey (54), one of the beneficiaries of the reprieves, and Brad Haddin (34) were in the middle when stumps were drawn and they have the onerous task of bridging the gap when play resumes on Saturday.

Earlier, Board President's XI added 84 runs to their overnight score of 371 for six before folding. Both overnight batsmen Parthiv Patel (62) and Irfan Pathan (56) duly completed their half-centuries before the side lost last three wickets over a 10-ball span to be 455 all out in their first essay.

Matthew Hayden (20) led Australia's riposte but was lucky to get a reprieve when umpire Shavir Tarapore turned down Manpreet Gony's appeal for what looked like a plumb leg before dismissal.

Hayden responded by hitting two boundaries off a Pathan over before poking at one and the left-arm seamer was ecstatic, having the last laugh in his duel against him.

Simon Katich (15) similarly benefited from the doubt in umpire Amish Saheba's mind but he could make the most of the opportunity and fell to Pragyan Ojha.

Operating in tandem, the spinners stifled the visitors and Piyush Chawla (2/46) did everything to make life miserable for a clueless Ricky Ponting.

Ponting stepped out twice to hit Ojha over long on ropes and breathe easy but Chawla ensured he did not bloom further.

The leggie bamboozled him with a googly that crashed through Ponting's gate to rattle his timbers at the stroke of tea. Chawla went on to scalp Ponting's deputy as well, trapping Michael Clarke (18) on the other side of the break.

For them, the welcome grit came from Hussey and Haddin who gamely hung around. Hussey's unbeaten 54 came off 136 balls with seven hits to the fence and a six.

Earlier, with 371 runs behind them and four wickets still in hand, the Indian tail wagged merrily before suddenly collapsing in a heap soon after the new ball was taken.

Stranded one run short of half century, Parthiv Patel (62) duel reached the mark but departed dragging a Peter Siddle delivery onto his stumps.

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Dream Reviews

 

'Rainbow' Review: Beaten Story And Obsolete Narration

  Film: Rainbow Rating: 2/5 Cast: Rahul, Sonali Chouhan, Dharmavarapu, Prakash Raj, Paruchuri Venkateshwara Rao, SS Rajamouli, Sindhu Menon, Samudra, Kodi Rama Krishna, Deekshit etc Editing: MR Varma Camera: Santhosh Srinivas Music: Nihal Screenplay, Direction: VN Aditya Released On: 2nd October 2008 Story: Shyam aka Shyamala Rao (Rahul) is a professional hoarding painter of a painting company. Swapna (Sonali Chouhan) is an aspiring actress. Shyam likes Swapna and he helps her lot to achieve her dream. When a producer attempts to molest Swapna, Shyam fights with him and gets injured. In later diagnosis it will be known that Shyam got affected by color blindness due to that injury. Hence he becomes unable to see any color except white and black. And Shyam, being an orphan, lives in the house of Kamala (Sindhu Menon), who is dumb by birth. She loves Shyam. Finally how this triangle love story ends? Who marries whom? That forms the rest of the story. Performances: Rahul did a completely different role from that of 'Happy Days'. He needs to work hard on expressions and body language. Sonali Chouhan is ok with respect to face value but as per physique she is looking like a patient with zero-voluptuousness. Sindhu Menon looked well on screen. Prakash Raj's presence didn't elevate the range of the movie due to poor background score and energy-less character. Theatre Deekshit appeared with real life name. Same is the case with SS Rajamouli who acted as a professional actor in real life role for quite long time. Coming to technical departments the only saving grace in the film is cinematography, music and lyrics. Editing is average and direction is poor. Direction also suffered some ups and downs. Direction Mistake: The first producer who gives an opportunity to the heroine asks her to come to 'Touch' Pub. But she comes to 'Bottles and Chimneys' and the entire scene was shot there. VN Aditya didn't bother about the B & C that appeared prominently on the door heroine opens to come in.

 

Chintakayala Ravi Review

  Cast: Venkatesh, Anushka, Mamata Mohandas, NT Rama Rao (special appearance), Venu Thottempudi (guest appearance), Chandramohan, Sayaji Shinde, Pradeep Shakti, Sunil, Brahmanandam, Ali, Ajay, MS Narayana, Ganesh, Venumadhav, Raghubabu, Srinivasa Reddy, Lakshmi, Arthi Chabria and others Music: Vishal-Sekhar Lyrics: Chandrabose Camera: K. Ravindrababu Editing: Srikar Prasad Presents: Bhavya Producer: Nallamalupu Srinivas (Bujji) Story, Dialogues, additional screenplay: Kona Venkat Screenplay & Direction: Yogesh. Banner: Sri Lakshmi Narasimha Productions Date of Theatrical Release: October 2, 2008 NonstopCinema Rating : 3/5 Venkatesh-type comedy with a touch of sentiment Chintakayala Ravi (Venkatesh) is a mother’s pet. In order to please his mother Seshumamba (Lakshmi), he doesn’t mind to do anything. He manages marks in education, and goes to the US to undertake a course in software there. Though he did not work in any software company, he pretends to be working as software engineer and his mother continues to believe it and tells everyone in the village that her son is a software engineer in the US. However, Ravi struggles hard to survive in the US by working as the head bartender in Cyber Wave, a bar and restaurant, where software engineers generally frequent. Seshu finds an alliance to Ravi in Mamidikayala Lavanya @ Love (Mamata Mohandas). The girl, who has a fascination of moving in luxurious cars in the lavish streets of the US agrees to the alliance. Love contacts her friend Sunita in the US to enquire about Ravi. The accidental introduction between Ravi and Sunita make the latter believe that Ravi is a womaniser. Later, Sunita finds that Ravi is working as a bartender and informs the same to Love. This spoils the entire alliance process. Ravi’s father (Chandramohan) gets a slap by Love’s father Bhupati (Sayaji Shinde) for allegedly cheating them. Ravi learns that it all happened due to Sunita and decides to take revenge against her. He spoils her alliance in the US too, which results in the hospitalisation of Sunita’s father (Chalapati Rao). However, Ravi’s friend also admits in the same hospital after an accident and Sunita learns how big gentleman Ravi is. A doctor working in the hospital reveals that Ravi sacrificed his career to save the life of a person, whom he met immediately after his landing in the US. This makes Sunita realise her folly and get her closer to Ravi. Their friendship turns love. At this juncture, Ravi’s friends contact the person (Venu Thottempudi) whose life was saved by Ravi and make him explain everything to Love’s father in India. As the clouds fade away, the sky turns clear and Bhupati sends his brother and Ravi’s father to the US to bring Ravi for marriage. What happened to the love between Sunita and Ravi? Did Seshu come to know that her son is not working as software engineer? What was her reaction? What about Lavanya? Did she agree to sacrifice her prospective groom to her friend? Answers to all these questions form part of the climax. It was Venkatesh all the way in the entire film. The film could not be thought without Venkatesh.  He not only gave a tremendous performance in the flick with excellent and perfect comedy timing, but also impressed the family audiences with his superb performance in the second half, especially in sentimental scenes. Though most of the songs are not very impressive, a couple of tunes were catchy and foot tapping. It is worth mentioning here that Venkatesh would always in the forefront to shed his image and ready to live in a particular character. The audiences could find the same in this film too by presenting himself as a bartender. Another speciality is that Anushka was so far used by the directors as a glamour doll, who used to move around the heroes as a romantic and chivalrous girl. This time, she got a lot of scope for performance and she proved herself that she too could perform given a chance. Mamata Mohandas’ role was restricted to dance with the hero in a couple of duets in the first half. Other senior artistes including Chandramohan, Sayaji Shinde did justice to their roles, while Lakshmi reproduced the same old senimental mother’s role of ‘Murari’ in this film again. Though the number of comedians is heavy, which include, Brahmanandam, Venumadhav, Srinivasa Reddy, Dharmavarapu Subrahmanyam and others, none of them could bring smile on the face of audiences. Ali also played the same old ‘Nachimi’ character of Chiruta fame in this film too. Sunil tried to play a novel role as a comedy villain but failed to live to the expectations. There are three surprises in the film. Venu who appears like a flash in a couple of scenes left a nice impact on the audiences with his role. Ajay, who is emerging as a good villain in Telugu films played a very soft and innocent role in the flick. The last but not the least, NTR joins the party hosted by Ajay in the film and shakes his legs with Venkatesh in a song which goes like ‘Tavva Tavva…’. Kona Venkat scripted the story and dialogues for the flick and it is really a tailor-made subject for Venkatesh. It appears Venkatesh, in order to keep his identity alive and to prevent the damage by giving a flop to his career, is trying to choose safe subjects, instead of going for novel subjects. Besides story and dialogues Kona Venkat also scripted additional screenplay and assisted in running the movie with a good tempo. Chandrabose failed to impress the audiences with his songs and they remained average. Only two or three songs are good to listen and their choreography is also fine to some extent. Vishal-Sekhar duo could not attract the audiences with their tunes. Moreover, the bit song before the climax was almost a lift from their popular film ‘Om Shanti Om’. Background score by Manisharma is okay. Camera work by Ravindrababu is impressive and he was able to capture the lifestyle and beauty of the US well. Editing by Srikara Prasad is adequate. Director Yogesh showed good improvement in performance from his earlier films. However, with has no mass masala scenes or action scenes in the film to attract the mass audiences the movie may not attract mass audiences. The production values of Nallamalupu Bujji are good and the film remind the audiences of Venkatesh’s entertainers like ‘Nuvvu Naaku Nachav’ and ‘Aadavari Maatalaku Ardhale Verule.’ Though the storyline is a routine, the director gave it a novel treatment. Had the director overcome the poor run of screenplay, the film would have been further better.

 

'Souryam' Review:

  Full Length Mass Entertainer: Film: Souryam Rating: 3/5 Cast: Gopichand, Anushka, Poonam Kour, Manoj Jain, Raghu Babu, Krishna Bhagawan, Dharmavarapu, MS Narayana, Sudha, Tanikella Bharani etc Dialogues: Ratnam Fights: Vijay, Ram-Laxman Art: Vivek Editing: Marthand K Venkatesh Music: Mani Sharma Camera: Vetri Producer: Anand Prasad Story,Screenplay,Direction: Shiva Released On: 25th Sep 2008 The much awaited Gopichand-Anuskka starred 'Souryam' has released today. The film raised the interest graph with two reasons. One is Gopichand's success track and the other is posters of Anushka. Is the film in tune with the expectations? Is it the same sterotype action flick like Gopichand's earlier ones? Let us probe into the details. Story: An action packed treat, the story is on the backdrop of Kolkata in a college which is joined by Vijay (Gopichand). There he catches up with Shwetha (Anushka) and what starts as a casual relation turns into deep romance for Shwetha but Vijay keeps her at bay. Meanwhile, Vijay somehow wants to get close to Divya (Poonam) and helps her in all ways possible. On the other hand, there is the dreaded goon Sivaram Goud (Manoj K Jayan) who is in the jail in Hyderabad but his son (Ajay) and his goons come all the way searching for Divya. What is the reason? Why does Vijay want to get close to Divya? Why is Sivaram searching for Divya? Is Shwetha successful in her love with Vijay? All this forms the rest of the story.   Performances: Gopichand is at his best and proved to be a wonderful actor again. He mastered in enacting the emotional scenes. He also has shown some glitter in dances with a couple of interesting steps. Anushka's screen presence elevated the movie on a whole with glamour. She reduced a lot and that is optimum. But she over-acted in boozing scene and bathroom scene.   Poonam Kaur played a prominent role and she is just ok. Her face is going flabby where she needs to keep a check on that.   New villain Manoj Jain did his best but still the range of Murali Sharma, Pradeep Rawat or Prakash Raj is not seen. Ajay's villainy is also up to the mark.   Ali's comedy as Gymson brought ample laughs. Krishna Bhagawan and Raghu Babu are at their best and the script supported them a lot.   Coming to technical departments, Cinematography is at its best, fight sequences are exhausting and music is average. Shiva's direction has suffered some hiccups and he failed to bring in Kolkata nativity on screen.   High Lights: Ali's 6 pack comedy Krishna Bhagawan's situational dialogue punches Raghu Babu's comedy Gopichand in emotional scenes Anushka's screen presence   Senseless Scenes and Drawbacks: Direction faults (Kolkata background is not projected in dialogues or police uniform. Everybody in Kolkata speaks in Telugu) Why Gopichand joins in college? That is another ridiculous scene Screenplay hiccups (movie appears to be dragging because of this)   Analysis: This is another movie in the lines of Gopichand's earlier films- Yagnam, Ranam etc where action, emotion and violence form the formula.   The movie entertains the mass action film lovers as there is enough comedy packed in right manner. Ali's 6-pack comedy, Krishna Bhagawan-Raghubabu's episode, MS Narayana's guest appearance and situational comedy scenes with lead roles have generated ample humor. Keeping Anushka's trade mark eroticism aside and notable direction faults the other side; the film proves to be an entertainer by all means.   First half of the movie is average while the second half picked up the momentum and raised interest levels. But the climax appears to have dragged due to lengthy screenplay.   On a whole it is a mass entertainer and the success of this flick depends on the patronage of mass audiences.  

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